This is the central “node of the conversation” with the composer, who carries with him an object that all common mortals use, but in his hands it becomes a container of spirituality and technicality: the computer. For Mukarno, the computer is only a means of being able to create his art. Inside it there are many of his most important musical compositions. It was his first computer so the emotional bond is very deep; not for its material envelope but for the art it carries within itself. Conversing with the artist, I perceive a non-attachment to material things. Spirituality and belief in God are the forces that lead him to approach a more mental approach to art. Mukarno is a performer too; but his true calling – and his job – is musical composition, especially electronic composition. Experimentation and technical rigor make the art of Mukarno notable.

The composer devotes himself to works that are commissioned. Probably he spends many hours on the computer to create; in his life, objects are only matter; matter that over time wears out and is destroyed; while art in all its forms remains above all in the interior of people.

Even the decision to break this computer makes us understand that what is important is what has been created inside it. Computers as a means of creating music and spirit.

And it is through the performance at WORM that Mukarno, through a rite of passage, delivers the fragments of an object that was the life partner in the artist’s journey as a composer. To break, to be reborn; not to be attached to an object because it is a means of creating something that remains in our ears and in our heart, soul.